Program: #22-03 Air Date: Jan 17, 2022
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Katarina Livljanic and the Dialogos Ensemble’s latest project gives us a tale of “Demons and Miracles from Winchester around 1000,” dedicated to the 9th century Anglo-Saxon St. Swithun, this week.
Contrast the superb music in the troper with King Alfred’s gloomy picture of the state of learning in England a hundred years earlier, when the understanding of Latin seemed almost to have died out, or even with another (Bishop) Wulfstan’s Sermo Lupi ad Anglos, his scathing letter to the English about their backsliding into ignorance and heathen ways, this time from around the year 1000, and the quality of the music in the Troper is amazing: there’s even one text in Greek in this collection. (Apologies that the Greek has not come out quite right in html.)
The well-known belief that any rain on St Swithun’s day betokens rain for a further 40 days is only a small part of the saint’s legend. It applies only if it rains on Winchester bridge, and it arose from the decision to bring Swithun’s body into the Old Minster, the rain apparently indicating that he preferred to remain outside. Oddly, very little is known about the life of Swithun, so the accounts of his ‘life’ are actually concerned with what happened after his death. He’s not known to have been especially bothered by demons, like St Anthony, so the subtitle of this CD is something of a catchpenny. Many miracles, however, were associated with him, some of them included in this programme, including one where he healed a man smitten by three Furies. Abbot Ælfric of Eynsham’s Lives of the Saints, written for lay readers in Old English, gives us a vivid account of his tomb, festooned with abandoned crutches, and of the miracles which led to those crutches being left behind. Wulfstan’s Narratio, on the other hand, in Latin, was intended for learned readers.
Dialogos is an all-female group of four voices, so it’s hardly surprising, given the music here, that the performances are reminiscent of the much missed Anonymous 4, who made so many fine recordings of medieval music for the Harmonia Mundi label.
The group has recorded a programme which they have been presenting live for some time as a form of miracle play about the life of Swithun. Some aspects of that presentation are inevitably missing from an audio recording, but I for one am grateful to have received this new Arcana release for review. In any case, some of the drama of the presentation is preserved, for example by the opening piece announcing the presence of Ælfeah, Ordbriht, Wulfsin and Ælfric, all resplendent in the glory of their priestly authority (not ‘episcopal’, as translated in the booklet.) The reference to the four witnesses reflects the practice, described in the booklet, of performing the music with two junior singers backed up by two seniors, but none of the members of Dialogos can be regarded as in any way inferior. We seem to have found worthy sucessors to Anonymous 4.
Music from the Winchester troper has occasionally featured on other recordings, notably from the Schola Gregoriana of Cambridge and Mary Berry on a 1992 Herald recording of Christmas in Royal Anglo-Saxon Winchester: 10th-century Chant from the Winchester Troper (HAVP151). That’s a reconstruction of a festal mass, so there’s no overlap with the new recording or with a Harmonia Mundi recording, also of medieval Christmas music from the Orlando Consort (HMU907418). On another recording, from Aeon, Music for a King: The Winchester Troper music for Easter from the Troper actually takes up only part of an album. I responded very favourably to that part of the recording, but found the modern music on the rest out of sync with the earlier content.
Now Arcana have given us a recording consisting entirely of earlier music, much of it directly taken from the Winchester service books of the time, the rest a reasonable reconstruction of the style of that music in setting the words of the early accounts of the life of Swithun. While the enterprise is clearly mainly of interest to those like myself who value Old English literature and music, general listeners should not automatically consider themselves precluded. Give Swithun a chance – perhaps try out this music from Naxos Music Library or another streaming service – and his ethereal music may well work the same sort of miracle for you.
Brian Wilson
- Aelfeah adest, Ordbirhtus adest, Wulfsinus et Aelfric
Wulfstan of Winchester, Narratio metrica de sancto Swithuno - Regem regum dominum
Two-part invitatory – Winchester Troper - Pax huic domui
Processional antiphon, Paris, BNF, ms. 943, 10th c - Magna miracula
Wulfstan, Narratio - Et licet extremus hominum
Wulfstan, Narratio - Σὺ εἶ ἱερεὺς. Statuit ei dominus
Troped introit – Winchester Troper - Alma fuit vicina dies
Wulfstan, Narratio - Gloriosus vir sanctus Swithunus
Two-part responsory – Winchester Troper - Cumque dies eadem benedicta
Wulfstan, Narratio - In pace in idipsum
Antiphon, Worcester Cathedral, Music Library, ms 160, 13th c. - Þa swefna beoð wynsume
Aelfric of Winchester, Life of saint Swithun - Qui post evigilans
Wulfstan, Narratio - Auxilium, domine
Alphabetic hymn in acrostic "De Sancto Swithuno"
Wulfstan: text, Rouen, BM 1385, 10th c., music reconstruction: K. Livljanić - Sed cum nulla virum feritas
Wulfstan, Narratio - Ecce vir prudens Swithunus
Two-part responsory – Winchester Troper - Infirmo siquidem, cum nullum prendere somnum
Wulfstan, Narratio - Laudemus dominum
Two-part responsory – Winchester Troper - Talibus aegrotum
Wulfstan, Narratio - Sint lumbi vestri
Two-part responsory – Winchester Troper - Pervigilat ternis ibi noctibus atque diebus
Wulfstan, Narratio - Hwæt, ða se halga Swyðun
Aelfric of Winchester, Life of saint Swithun - Alleluia. Via lux veritas
Sequence – Winchester Troper - Quid plura?
Wulfstan, Narratio
CD Info
Arcana CD A491.