Program: #19-12 Air Date: Mar 11, 2019
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A recently discovered Italian Trecento manuscript, music from 1300, and four centuries of chant from the Birgittine Order.
I. Maria! Maria!: 400 Years of Chant in the Birgittine Order (Ensemble Gemma/Karin Strinnholm Lagergren). Sterling CD CDA 1828-2.
- Trinum deum (07:58)
- O trinitatis, matins hymn (02:37)
- Maria summe, responsory (03:36)
- Omnia mandata, antiphon (00:53)
- Regem angelorum, invitatory (00:40)
- Angeli, Archangeli, antiphon (1st Vespers, Feast of All Saints, 1 November) (01:16)
- In throno Deo, hymn (02:49)
- Angelorum domina, responsorium (00:57)
- Magnificetur rex, magnificat antiphon (01:32)
- Filium Dei, invitatory (00:37)
- Benedictus sis tu, benedictus antiphon (01:36)
- Omnem potestatem, vespers antiphon (01:33)
- Victum vitalem, compline hymn (03:08)
- Ortum virginis (00:39)
- Solem iustitiae, Responsory (03:17)
- Nativitas gloriose, lauds antiphon (00:33)
- Nativitatem recolamus, antiphon (00:28)
- Ave Maria, initatory in mode 7 (00:36)
- Congratulamini Filio Deo, antiphon (00:57)
- O admirabile commercium, antiphon in mode 6 (Liber Usualis 442) (01:01)
- Benedicamus devotis mentibus (00:59)
- Germinavit radix Jesse, antiphon (00:33)
- Regem virginis (00:21)
- Benedictum sit nomen, antiphon (00:58)
- Spineo serto (01:19)
- Tremor terre, antiphon (01:15)
- Annuntietur in universa, antiphon (01:27)
- In honorem virginis (00:26)
- Que est ista, responsory (02:32)
- Assumpta est Maria, antiphon (Antiphonale Romanum) (00:22)
- Quae est ista quae ascendit, antiphon in mode 1 (Liber Usualis 1600) (00:47)
- Maria virgo assumpta est (00:30)
- Ad coronam leticie, responsory (00:51)
- Jam letaris, antiphon (01:01)
- O quam glorifica, hymn in mode 2 (02:09)
- Maria, Maria, magnificat antiphon (01:19)
- Cum iocundate, antiphon (00:32)
II. Anno Domini MCCC: Canti dei pellegrini medioevali (La Rossignol). III Millennio CD CDC 0133.
1. Dum pater familias [4:25]
Canto d'Eultreya | Codex Calixtinus cc 117
2. Edi beo tzu [2:05]
anonimo sec. XIV | strumentale
3. Magdalena degna de laudare [2:55]
Laudario di Cortona
4. Chevalier mult estes [3:46]
anonimo | croisade 1147
5. Hui matin [2:24]
organum strumentale | Ms. Wolfenbüttel W1
6. Troppo perde'l tempo [4:53]
Laudario di Cortona
7. In seculum [3:26]
strumentale | Ms. Bamberg
8. Stella splendens [4:39]
Llibre Vermell LV 2
9. Palästinalied [3:26] Walther von der VOGELWEIDE
10. Sol sub nube [2:38]
strumentale | C. Pluteus
ALPHONSO EL SABIO. Cantigas de Santa Maria
11. Sancta Maria loei [2:48] CSM 200
12. Des oge may [4:29] CSM 1
13. Santa Maria strela do dia [4:41] CSM 100
14. Como poden [4:04] CSM 166
III. Splendor da ciel: Rediscovered Music from a Florentine Trecento Manuscript (La Morra/Corina Marti & Michal Gondko). Ramée CD RAM 1803.
The Chapter Archive of San Lorenzo in Florence houses a manuscript which served to record church properties. However, its parchment leaves originally belonged to a music manuscript compiled around 1410–20 in Florence. Later, the music was erased to create space for new content. Although its musical origins are known for over thirty years, its 216 compositions have been considered largely illegible. Recently, scholars and scientists from the University of Hamburg were able to render it visible again, using the technology of multispectral imaging. The San Lorenzo Palimpsest, as the collection is known today, is an invaluable source of secular polyphonic music composed between the fourteenth and the beginning of the fifteenth centuries. The anthology not only includes new readings for compositions known from other contemporary manuscripts, but contains completely unknown works by Florentine composers. La Morra breathes new life into these rediscovered musical treasures, most of which are recorded here for the first time.
A co-production with the University of Hamburg (SFB 950). Multispectral images of the entire San Lorenzo Palimpsest, including documentation and editions of previously unknown compositions, have been published by the musicologists Andreas Janke and John Nádas.
2. Douls m’est amer [2:11]
Anonymous - Corina Marti & Michał Gondko
3. Soiez liez [4:07]
Anonymous - Doron Schleifer, Michał Gondko & Natalie Carducci
4. Giovanni Mazzuoli (c.1350/61-1426):
Corina Marti & Natalie Carducci
5. Paolo da Firenze (1355-1436): Poc’ hanno di mirar [3:30]
Paolo da Firenze - Doron Schleifer, Ivo Haun de Oliveira & Corina Marti
6. Giovanni Mazzuoli: A’ piè del monte [2:21]
Anna Miklashevich & Roman Melish
7. Piero Mazzuoli: Lasso dolente [7:31]
8. Antonio Zacara de Teramo (c.1360-1416): Dicovi per certança [3:18]
Doron Schleifer & Natalie Carducci
9. Sotto l’imperio [3:12]
Jacopo da Bologna - Corina Marti, Michał Gondko & Natalie Carducci
10. Giovanni Mazzuoli: Splendor da ciel [6:08]
Doron Schleifer & Ivo Haun de Oliveira
11. Le souvenir de vous dame [1:57]
Anonymous - Corina Marti & Michał Gondko
12. Piero Mazzuoli: A Febo Damn’e [5:02]
13. Hubertus de Salinas (fl. 1390-1420): Ihesu salvator / Quo vulneratus [1:36]
Anna Miklashevich, Doron Schleifer & Natalie Carducci
14. Hubertus de Salinas : Si nichil actuleris / In pretio pretium [2:03]
Doron Schleifer, Roman Melish & Ivo Haun de Oliveira
15. O tu, cara sciença mia, Musica [5:27]
Giovanni da Cascia - Anna Miklashevich & Roman Melish
16. Uom ch’osa di veder [2:43]
Paolo da Firenze
17. Amor mi stringe assai [5:16]
Paolo da Firenze
Composer Info
Piero Mazzuoli (1386-1430), Giovanni Mazzuoli (c.1350/61-1426), Paolo da Firenze (1355-1436), Antonio Zacara de Teramo (c.1360-1416), Jacopo da Bologna , Hubertus de Salinas (fl. 1390-1420)
CD Info
Sterling CD CDA 1828-2, III Millennio CD CDC 0133