Program: #07-14, Air Date: 03/26/07
So, Franks in the centuries after Charlemagne introduced new hymns, new Ordinaries, sequences, tropes, organum, and rhythm became strict rather than free, with melismas being eliminated because the slower singing made them interminable, and the musical accents were shifted to word accents. By the 1614 Medici edition these chnages were codified—How did a group of Benedictine scholar/monks beginning in the 1833 help reconstruct what the earlier chant sounded like?
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